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WRJAWTA: Which Robert Johnson Are We Talking About?

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Earlier, we covered Robert Leroy Johnson, an American blues singer & guitarist (1911-1938 and henceforth RJ3 in this post) for reasons that will quickly become self explanatory. Part of that discussion was about the controversy over photographs of RJ3. The BBC covered RJ3 in a six part series entitled ' Hellhound On His Trail -Robert Johnson Story' There is another Robert Johnson, a composer & lutenist (c.1583-c.1634 and henceforth RJ2 in this post to distinguish him from an earlier Scottish composer) of whom there are inarguably no photographs extant. RJ2 was a musical collaborator wih playright William Shakespeare (1554-1615) at a time before the invention of photography. If you want an argument about the authenticity of Shakespeare, you should look elsewhere. The headline picture is of Lucy Skeeping, a presenter on the ' Early Music Show ' from BBC Radio 3. You can read about the selection of music played in the Sat. 24 Sep. 2011 edition of the show that fe
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FATB There is no rubber stamp for authenticity

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The main BBC website (there is a Folk America sub-site) seems to use the picture below as a billystamper to indicate 'old and authentic' for any kind of music that has a connection with America at any time before the Beatles played Shea Stadium. I should explain that a billystamper is an expression in Northern England for a fake tattoo using wet transfer printing technology and enjoyed by children in a bygone era; thus it has certain humorous and derogatory connotations. The children would incant: "Billy Billy Stamper, stamp my hand / If you don't, you'll never be a man", while pounding on the transfer to make it stick. At some point in history the incantation may have been in some way meaningful, but now that is probably long gone and possibly lost forever. Below is the verification of the billystamper accusation, which was not made lightly or to garner cheap acclaim as a media pundit; you should know better than to even think such things. The image has
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iRide.2019.10.07

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WE'VE COME A LONG WAY BABY • Since the demise of my Canon G11 (I miss ya baby; I'm so sorry I made all those niggling complaints about ya) I have been experimenting with carrying an old Canon A10 or an old Canon G2. I always have my iPhone 6S+ with me because that's how I record my rides on the Strava service. If only the iPhone didn't have such a wide-angle lens then I would probably not bother with a 'real' camera. Today, I had the Canon A10 and the iPhone stowed in a frame bag on the bicycle. I had not intended to take any photos, but when I made a water stop I realized that it has been a long time since I took a photo of the Hurricane Fault mountain tops—known as Mollies Nipple, the Three Brothers, Whiteface, and the Wart—in the late afternoon sun. I went to dig out the Canon A10, but on an impulse I first took a photo at that same location using the iPhone. The headline photo is Mollies Nipple. The upper photo in the collage of the string of tops wa
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